The 2019 Oscars: Best Picture Nominations – Watched, Reviewed and Ranked

So this without a doubt has to be one of the most embarrassing selection of best picture nominations I’ve seen in quite some time. When I look back at the piece I did last year on the 2018 nominations for the Oscars (click this link to check that out), I wish for a list as strong and full of such incredible films as that. I vividly remember struggling to rank those films, as almost all of them were full of something that was genuinely special; I struggled too not give them all the top spot for one reason or another.

However, this year, I find myself struggling to decide which one of these films is worse. Don’t get me wrong, a number of these films are good – and one in particular holds within it the same special magic that many of last year’s nominations had – but that’s the problem, most of them are only good films, while some actually outstanding films seems to have been ignored completely (‘First Man’ or ‘You Were Never Really Here’, for example). Minus a few of them, there’s nothing on this list that stands out to me as a film I remember having a significant impact on me. For most of these films, when I was writing the review for them, I remember how underwhelmed or how forgettably fine I was with them. To look at this list and see some of the films that are now being given a significant spotlight to shine makes me… sad.

Anyway, enough with my frustrated ramblings. Let’s get on with the ranking and find out where each film falls on the list. Read more

Review – Vice

Vice, written and directed by Adam McKay, is a film that always felt on the verge of ascending into something truly incredible; something that completely captivated you – and that’s all because of the film’s primary focus (Dick Cheney and the tornado of people around him) and the actors that perfectly embody some of history’s most defining politicians. But… there is one massive and obtrusive obstacle in the way of this really good film from being something truly great, and that is Adam McKay’s ‘shock and awe’ style directing, and frankly… his ego. So, the question is: does this film’s incredibly rich characters and its monumentally important story break through all the nonsense of Adam McKay’s writing and directing and deliver something worth seeing? Well, let’s figure that out together in this review, shall we? Read more