Sorry to Bother You, written and directed by Boots Riley, is at times like a hallucinogenic ride through the waking nightmare that is sometimes real-life. With it’s politically charged themes and its bonkers way of approaching everything and anything, this is a film that from the very beginning makes a mark on you, and it’s a mark it makes sure you don’t forget getting. This review will be a true representation of my rambling thoughts, while I try to cobble together everything I felt and thought during and after, Sorry to Bother You. Join me, won’t you? Read more
Black Panther, co-written and directed by Ryan Coogler, achieves something pretty special (especially when you consider that it’s another Marvel movie); Coogler has created a really personal feeling film; one with an identity and message that sees it standing separate from the usual MCU confines. It wasn’t a film I was immediately enamoured with and it is still plagued with some of the irritating issues that plague all Marvel films (issues that I do think hold it back from being something truly game-changing for the genre), but for the first time in a while, I’m actually looking forward to writing and talking about a new Marvel release. So let’s get into the meat of the review and see what it is that makes this film standout in a cluttered universe of films. Read more
So 2016 has been a mixed year in terms of films; the summer blockbuster season was… well a bust, and there have been a lot of films that haven’t fully hit the mark (for me). But, there have also been some real treasures – some films that have been absolutely exceptional; ones that I didn’t see coming. Now of course this is all about the films that for me, just couldn’t escape my head. The ones that burrowed themselves into my memory banks, set up shop, and politely – or sometimes quite forcefully – told me that they planned on being there for the long-haul. This was something I was completely okay with.
I suppose I should lay what you can expect from this piece, as I’m not intending for it to be the usual ‘Top 10’ lists that you’re going to be seeing around this time of year. What I want to do with this is not necessarily focus on what might be considered the absolute best-of-the best from 2016; the films that were perfect in their every effort and deserve to be recognised as the next masterpieces. This is more about me shining a light on some films that, for one reason or another (those reasons will be laid out in detail when I talk about each film) just had an effect on me, made it so that they stuck around and kept me thinking about them. The films are in no particular order, but my favourite film of 2016 will be in there somewhere. But don’t worry, you’ll know when that comes up.
I also want to point out that this list only contains films released in the UK in 2016. So films like, La La Land, Midnight, Manchester by the Sea, etc. films which everyone is singing the praises of, will not be contenders for this list. I want to keep it contained to only films released in UK cinemas in 2016. That way I can give everything a fair shot from this year.
So yeah, that’s what I intend to do with this piece. You’ll definitely recognise a lot of these films, and many other people will assuredly be talking about them, but I’m also hoping there will be 1-or-2 that slipped under your radar, and reading about them here gives you that little nudge to go watch them. So without further-a-due, let’s get into the films that stood out to me, and made their presence known, in 2016. Read more
Rogue One: A Star Wars Story, directed by Gareth Edwards, offers one of the most different feeling Star Wars films to date. This is a film of tragedy, dire situations and the unbending want for revenge, and with such a darker tone comes people and places that are unique in their presentation (for a Star Wars film). However a film of this scale is of course not without its problems (some which are very noticeable). But then I did find so much to be interested by, and I also continue to adore the level of work and detail that is going into these new films… but… is what the film does, enough to make it worth existing? Did we need Rogue One? Let’s get the full review underway and answer not only those questions, but better explore all of the films elements. Read more
Arrival, directed by Denis Villeneuve, may be one of the most refreshingly reserved and meaningful sci-fi films in some time. Paced in such a way that you never feel overwhelmed; structured in a way that you are constantly interested in seeing what revelations will be unearthed next, and delivered wonderfully through sights and sounds that amaze and add to the mysteriousness of it all. Arrival is one of those films that has you gripped from beginning to end – but of course not without a few hiccups along the way. I’m eager and excited to review this film, so let’s get that underway. Read more
Southpaw, directed by Antoine Fugua is an emotionally charged film. Sadly, it’s also a film that never really lives up to its potential. With some rushed structuring, and some noticeably lacking development of certain integral characters, there are clear issues in a film that… at its core, still has something worthwhile in it. Read more