The 2019 Oscars: Best Picture Nominations – Watched, Reviewed and Ranked

So this without a doubt has to be one of the most embarrassing selection of best picture nominations I’ve seen in quite some time. When I look back at the piece I did last year on the 2018 nominations for the Oscars (click this link to check that out), I wish for a list as strong and full of such incredible films as that. I vividly remember struggling to rank those films, as almost all of them were full of something that was genuinely special; I struggled too not give them all the top spot for one reason or another.

However, this year, I find myself struggling to decide which one of these films is worse. Don’t get me wrong, a number of these films are good – and one in particular holds within it the same special magic that many of last year’s nominations had – but that’s the problem, most of them are only good films, while some actually outstanding films seems to have been ignored completely (‘First Man’ or ‘You Were Never Really Here’, for example). Minus a few of them, there’s nothing on this list that stands out to me as a film I remember having a significant impact on me. For most of these films, when I was writing the review for them, I remember how underwhelmed or how forgettably fine I was with them. To look at this list and see some of the films that are now being given a significant spotlight to shine makes me… sad.

Anyway, enough with my frustrated ramblings. Let’s get on with the ranking and find out where each film falls on the list. Read more

Review – Vice

Vice, written and directed by Adam McKay, is a film that always felt on the verge of ascending into something truly incredible; something that completely captivated you – and that’s all because of the film’s primary focus (Dick Cheney and the tornado of people around him) and the actors that perfectly embody some of history’s most defining politicians. But… there is one massive and obtrusive obstacle in the way of this really good film from being something truly great, and that is Adam McKay’s ‘shock and awe’ style directing, and frankly… his ego. So, the question is: does this film’s incredibly rich characters and its monumentally important story break through all the nonsense of Adam McKay’s writing and directing and deliver something worth seeing? Well, let’s figure that out together in this review, shall we? Read more

The Films That Stood Out to Me in 2018

Not to start this celebration of films off on a glum note, but 2018 has been one of the toughest years for me, personally, and because of that my time spent in the cinema or watching films hasn’t been as extensive as previous years. Why am I telling you this? Well it means that this year’s list might have what you may consider to me omissions. That could either be because I wasn’t able to see the film, or I thought they weren’t as good as everyone else seemed to think they were (I’m talking about you, Hereditary).

Still though, this has been another great year for cinema, and when I have made it to the chapel of film, I’ve been treated to a number of special experiences – I even found myself wowed and excited by a Marvel movie this year with Avengers: Infinity War (a film that I enjoyed the first time round and then loved the second time). So, despite my limited time with films this year, there are still plenty of standout films that I’m excited to share with you in this list.

Before I get started properly, I want to as always lay out the fact that this list is not one comprised of what are perhaps the absolute best films of the year (though some definitely are in my opinion). This is more a list about exploring films that for one reason or another stuck with me and made an impact on me when I saw them. And as always, this list will contain the film that was my favourite of the year – a decision I have struggled with when looking at the list. So, enough with this rambling intro, let’s get to the list and see what were the films that stood out to me in 2018! Read more

Review – Hostiles

Hostiles, written and directed by Scott Cooper, offers a solemn, introspective look at a transitional point in American history. Not only was America changing; shifting towards a new way of life, but the people who had been moulded by the old ways, also had to change, or be left behind. Taking on damaged, seemingly irredeemable individuals, the film takes us on a journey that is meaningful and full of hardships – all in the hopes of finding a way to heal. This might be Scott Cooper’s best work to date and I’m eager to talk in detail about this incredible film he’s created. On with the review. Read more

Christopher Nolan’s Filmography – My Least Favourite to My Absolute Favourite

With the recent release of Christopher Nolan’s new film, Dunkirk. I felt now would be a great time to do a wee personal list, ranking all of Nolan’s films. It’s something I’ve wanted to do for a while now, and with a new film just being added to his incredible filmography, this seems like the perfect time to do so. I should point out that even though I have seen Dunkirk (which you can read the full, in-depth review of, by clicking this link) I still think it is too soon to add it to this list. I need more time to let the film settle, before I begin to rank it alongside Nolan’s other films. But again, if you want to know what I thought of the film, just click on that link above. So, enough with the intro-filled ramblings, let’s get to the thing you and I care most about in this piece: The list.
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The Oscars 2016: Best Picture Round-Up

The Oscars

So now that I have seen all the films nominated for best picture, and reviewed them all, I wanted to go ahead and create an easy place for anyone to be able to find and read my full and in depth reviews on all of them. I also wanted to rank the films from what I felt where the best to the not so best. Now what I mean by not so best, is that while the films are certainly still good they just don’t compete on the same level as the ones higher on the list. At no point am I saying that these films are bad or shouldn’t be seen, simply that they lack the same level of quality and deserved attention as some of the others.

Before I jump into the films I want to give my thoughts on the selection itself. Personally for me this year the assortment of films was weak compared to previous years – that’s frustrating because there have been some films that have more than deserved the attention and recognition, but for some reason where overlooked or perhaps not even considered (I’m not sure).

Personally for me, four films that have certainly been overlooked and were much more deserving of a place in the best picture category were Sicario – directed by Denis Villeneuve (you can read the full review for that here), Carol – directed by Todd Haynes (full review for that here), Steve Jobs – directed by Danny Boyle (the review for that is here) and finally Creed – directed by Ryan Coogler (of which the review for that is here). In my mind all these film were astounding watches and far more deserving of the nomination. What would I have taken out in place of those films? That’s easy – Bridge of Spies, Brooklyn, The Martian and most definitely The Big Short. Again all great films (except one of course) but let’s be honest nowhere near the same level as the films I’ve just mentioned.

But anyway that’s my two cents on all of that. Now I want to get onto the main purpose of this whole piece – The Best Picture Nominations. So what I’m going to do is rank the films from 1 to 8 (favourite to least favourite) and then give you a quick snippet of what I liked (or didn’t like) about the film. Also if you want to know more, you can click on any of the films and get taken to my full reviews which will let you know more fully what I thought about the film. Sound good? Great, then on with the show then. Read more

Review – The Big Short

The Big Short

The Big Short, directed by Adam McKay is a film that seems hell bent on getting in its own way and making it almost impossible to deliver a story that is tolerable to sit thorough. So much of the film is unnecessarily gaudy and intrusive. More than delivering what is an interesting point in our history – The Big Short is intent on trying to show off just how clever and different it is… it doesn’t, it just fails. Read more