Review – Molly’s Game

Molly’s Game, written and directed by Aaron Sorkin, feels like a film that continually jingling a set of shiny keys directly in front of your face; sure, it grabs your attention, but it soon becomes irritating, and then insufferable. The film’s premise is interesting, at first, and it offers the usual characteristics that you’ve come accustom to, when it comes to Sorkin-esque characters, but as it went on and it continued to be exactly what I expected it to be, the more tedious and uninteresting I found it to be. There were certainly elements to this film that I enjoyed, and I am a fan of Sorkin’s style and his previous work, but there was something about this film (his directorial debut) that I found myself unable to like. Let’s explore what Molly’s Game has to offer and see if it’s something you might enjoy. Read more

Review – All the Money in the World

All the Money in the World, directed by Ridley Scott, delivers a fairly expansive story, with well explored, fascinating characters at its core. Despite the unforeseen complications that Ridley Scott ran into prior to the release of the film (the distressing revelations concerning Kevin Spacey) it seems nothing was going to get in the way of the highly experienced director from telling what is an unbelievable true story that has you gripped throughout. So let’s explore all that the film has to offer and just how well Ridley Scott was able to rework what could have possibly been a disastrous outcome for all involved. To the review. Read more

Review – Hostiles

Hostiles, written and directed by Scott Cooper, offers a solemn, introspective look at a transitional point in American history. Not only was America changing; shifting towards a new way of life, but the people who had been moulded by the old ways, also had to change, or be left behind. Taking on damaged, seemingly irredeemable individuals, the film takes us on a journey that is meaningful and full of hardships – all in the hopes of finding a way to heal. This might be Scott Cooper’s best work to date and I’m eager to talk in detail about this incredible film he’s created. On with the review. Read more

Review – Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri, written and directed by Martin McDonagh, almost feels as if it’s towering over you, like a monument to the unfiltered failings of humanity – a monument that demands that you pay it the attention it deserves. You’ll find yourself happily willing to do this, because of how impressively balanced the film is; being both unforgivingly honest and also genuinely funny. Also because of its characters, who challenge you (on a multitude of levels), the performances that astound you, and multiple plot strands that have you hooked from the beginning and throughout. The film is one that you want to engage with, but also slightly fear. The levels of quality on show in this turbulent, challenging film, make it one I’m excited to write about, so come along as I review it, won’t you? Read more

Review – Bright

Bright, directed by David Ayer, is a film riddled with elements that continually clash with one another; creating a disjointed, muddled feeling experience. A director and a writer whose styles don’t mix, a tone that is all over the place, a world that’s rules felt more like punch-lines, rather than interesting world-building, and poor attempts at social commentary; all collide with one another to create a film with no clear direction. There are parts to Ayer’s ability as a director that make the film enjoyable (at times) but this is a film that really struggles to find a balance at any point. So let’s explore those imbalances, and see where this film goes wrong. Read more